Try Everything Organizing

June 4, 2019 by Heather Filed Under: Creative process, Organize, Systems & Techniques, Tips & Resources Leave a Comment

There are a lot of people who feel like they LIVE the try everything organizing approach and there are others who feel that the latest trends or books about organizing SHOULD work for them, but they don’t. That can be extremely frustrating and lead a lot of people to think they are doing something wrong or that they just can’t get organized! That makes me so very sad!

I like to take the ‘Try Everything Organizing approach” when working with creative clients who feel overwhelmed or like organizing is impossible for them. What do I mean by this? Well, we might mix systems for example and use the Kondo technique for books and clothing but try something very different for anything that is sentimental and harder to part with. When I say I use the Try Everything Organizing approach, I literally am going back and drawing on all the systems and techniques I’ve learned from books and classes on organizing and productivity.

I believe that when we are learning something new, we need to explore different techniques, experiment and practice. A dogmatic approach might work for some disciplined personalities but it might be more frustrating than helpful for artists, collectors, free thinkers and less conventional creative individuals. I work with a lot of clients who fall into one of the above categories…not putting anyone into a box, just sharing a description of some of my favorite client! Sometimes some of these individuals are ADD/HD and are so creative in their approach to problem solving, we come up with (invent/discover) some really amazing solutions. Mistakes lead to invention! There might be obstacles along the way…

you might be frustrated
you might be overwhelmed
you might be-feel laziness
you might be un-interest or un-motivation
there might be other people involved
you might feel shame
you might experiment
you might take an unorthodox approach
you might fail and try again!

Give yourself some “Try Everything Organizing” prompts such as, “What would happen if”? Respond by writing about it, or acting it out. What would happen if I…

I got rid of clothes that don’t fit?
I let go of books I have read and won’t re-read?
I gave someone who needed __________ more than I do?
I got rid of the magazine articles I tore out but never reference?
If I tried storing __________ here instead of there?
I let go of a few of my less favorite items in my collection?
If I tried folding my ________ instead of hanging them?
I tried living with less ________?

Your turn…what have you tried that hasn’t worked for you? What has worked? Are you already using the Try Anything Organizing approach? If not and you want to give it a try, I’d love to hear from you, Here.

How to kill your creative darlings

May 29, 2019 by Heather Filed Under: Art, Art & Design, Creative process, Inspiration & Education, Organize, Tips & Resources, Wellness & Mindset Leave a Comment

Let’s start by asking ourselves what are creative darlings?

Darling is synonymous for precious, adored, favorite, beloved, loved, cherished, treasured, prized, esteemed, worshipped, idolized etc. You get the picture. Sometimes people think of creative darlings as things that are too precious. We are so attached to them that we might not be objective. I like to think of them as the unnecessary “fluff” that we use to embellish and in fact those darlings can detract from the essence of what you are trying to create. The term “kill your darlings” has been attributed to a 1914 writing lecture “On Style”:

If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.
Writer Arthur Quiller-Couch

Creative darlings can be the outcome of overthinking, overworking, exertion to try to MAKE something incredible. They can also be the outcome of decision fatigue, we get tired of editing and just leave stuff where it is, we get a little lazy and attached! It’s a scary prospect to decide to “kill” something we have created (curated, collected, envisioned) but when we get overly attached, we are not seeing what’s best for the big picture. It can be liberating to trust and believe that by letting go, something better might emerge!

Don’t get so blinded by what you’ve invested (time, $, emotions) that you lose sight of the big picture. We can get so caught up in our own thoughts & ideas that we may not realize when they are failing to pay off for us. Be willing to let go of your grip, trust the creative process, know that by severely pruning out the “dead wood” we will see the most vigorous and healthy lush new growth!

Kill your darlings in your creative process, kill your darlings when your editing your wardrobe, kill your darlings when you are looking around your home and decluttering.

How to kill your creative darlings…

Edit what doesn’t serve a purpose & leave a more meaningful creation.

My argument for keeping stuff…

May 22, 2019 by Heather Filed Under: Art, Art & Design, Creative process, In the Studio, Inspiration & Education, Organize, Systems & Techniques, Tips & Resources Leave a Comment

Lately I’ve been in the midst of decluttering my art studio and I’ve got a heap of stuff to get rid of! I’ve certainly waxed on and on here about letting stuff go but today I want to share my argument for keeping stuff. This argument is not necessarily one that can be applied to all categories of “stuff” in our homes or work life but it’s certainly relevant for “artists” who work a process.

As both an artist and an organizer, I often have partially (un) finished works in progress (WIP’s) laying around my studio. Unlike partially made food, most art projects don’t have an expiration date and reviewing older work can spark both joy and inspiration to grow and work in a new direction! Some of the artist I work with invite me to participate in the process of reviewing work they have made. Together we sort into the Keep or Toss piles just like we might do with anything else (clothes, books etc). A lot can be said for tossing some of our badly made, “UGLY” art! Seriously, sometimes I look at some things I made and it just makes me cringe. I don’t want to keep those things, in most cases, not even to re-purpose into something else or give away.

Then there’s the argument for keeping stuff that is worth exploring further. Maybe it’s a certain technique, a color combination, something striking about composition or something nostalgic that evokes a personal response. All of these are great reasons to hold onto some of our art that might not be “best work” or finished. One of the most challenging aspects of making works of any type of art is knowing when to say it’s done. If something is undercooked or we leave it on the burner too long, it’s no longer edible. Art can be like that too, if it’s under developed or overworked it might just have to go (into the trash). But we learn from our creative mistakes! Part of the process of developing our skills is to review our mistakes and our successes. Looking back at work we made that helps us to grow argues a strong case for keeping some things that might not have been finished or “successful”.

I once read an article on creative process where the artist Robbi Joy Eklow suggested a “Time Out Box” for works of this nature. We do this with kids and with kids toys, why not our art? Setting something that you are unsure of aside so that you can come back later, review it again to see if it “Sparks Joy” is a great way to learn from your creative process. I’ve gone back to sketchbooks from 20+ years ago and found ideas that I’ve revisited and been overjoyed with. I don’t think there’s any time limit on creative incubation, do you?

I’m an art studio voyeur…are you?

May 17, 2019 by Heather Filed Under: Art, Art & Design, In the Studio, Inspiration & Education, Organize 2 Comments

I don’t mean this in a weird way! I just enjoy being an art studio voyeur…a bit of a peeping tom, ogling and sneaking a peek into artists studio spaces! Art (both the making of and viewing) can be a cure for stress and it’s certainly something I turn to when I need a break.

These photos are from a trip back in 2016 to Athens where a friend (MFA candidate at the time) gave me a tour around UGA Lamar Dodd Studio’s. I had the chance to wander the classrooms and studio spaces of students while it was virtually a ghost town.

We visited the whole textile school, including screen printing, the dye lab, weaving studio, paper making and the ceramics classrooms. There’s something intriguing about looking at work in progress, an artist space, their inspiration boards, materials, and equipment.

There’s so much possibility in the process of making, seeing ideas bubble up and dance across the surface with no idea of who’s behind it and where it’s headed.

UGA Lamar Dodd Studio’s

This is what I mean by being an art studio voyeur. It brings me pleasure to see the possibility of creative dreams on the horizon. In my organizing work-whether in a home, business or studio space, I hope to help others realize how important it is to recognize our creative voice. To create space for our creative dreams brings us one step closer to realizing them.

In the slideshow above, I don’t know who made the work, their background, their inspirations, their process and because no one was around this really did feel like I was art studio voyeur! Taking a peek into a moment of creative birth is a gift!

I celebrate the creative spirit with camera in hand and often questions for the maker. I am happy to capture a glimpse of that spark, inspiration, and creative dreams yet to be fully realized.

This curiosity led me to launch the Inside the Artist Studio series (which I will bring back!) and that thread led me to embark on a whole new adventure where the process of studio work, my interest in why makers make and digging into the cultural implications of our current “makers movement” have led me to return to Graduate School this year.

Starting in July, I will be attending Warren Wilson for my MA in Critical and Historical Craft Studies. I realize that a lot of people might wonder why a professional organizer might be embarking on this path and my answer is, because I’m a Weaver and I see connections where others may not. I am extremely excited to explore the intersections between making and organizing, artist process and observation of that process. There is a certain energy that emanates from both the maker and the objects/materials being used and being in that space to observe, pick up inspiration and carry it forward.

There is Chaos and there is Order in all creative cycles…what do you see when you peek into the creative process?

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