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Got a Vision?

by Filed Under: Art & Design, Creative process, Inspiration & Education, Planning & Goals, Productivity, Wellness & Mindset Leave a Comment

It’s been a challenging year and allowing ourselves to plan for the future still doesn’t quite feel natural. So for those of us use to planning, this state of uncertainty feels uncomfortable and possibly even scary. Yet, there are a lot of different ways to plan for the unknown. One way is to envision where you are headed. This type of planning is less rigid than sitting down with a calendar and deciding on goals, penciling in when you want to achieve them, and mapping out how to get there. A vision board is a wholly different kind of map. 

Over the past five years, I’ve led quite a few vision board workshops at conferences, meetings, and art studio’s, one thing they always have in common, they are so much fun and unexpectedly powerful! Everyone from Oprah and Ellen to life coaches and artists uses vision boards as a creative tool to help gain clarity on setting intentions and goals. Have you created a vision board before?

When I create a vision board and lead a workshop I begin with helping you get clear about what you want to see happen in your life. Our imagination gets lazy and when that happens we sell our-self short of amazing possibilities! Imagine bigger, brighter, easier outcomes that are more joyful! Imagination is a muscle that requires regular exercise.

Think of making a vision board as a fun workout for your imagination!

The process of creating a vision board is a powerful tool for setting our intention and creatively visualizing that outcome. For some of us, these might be “goals.” For others, it might be an “intention” or a “feeling.” Through words and images, we can map our vision. This process helps us find clarity about what we are creating in our day-to-day lives through the choices we make. Our vision boards become a powerful touchstone to bring us back to our intentions when we feel we are off course or unclear.

When we get stuck or overwhelmed in the process of working through change in our lives, it can be refreshing to get out of our thinking mind and into our creative body. By asking ourselves what we want things to look like and how we want to feel, we embrace and tap into our creative connection with the universe, god, whatever that might mean to each of us.

So I am offering an online vision board workshop on Sunday, December 27th from 1-5 pm EST. It’s a pay what you can and I am inviting the first 12 people who sign up (here) to join me. If you can pay something (suggested $26), great but it’s not required. I want to see more powerful positivity manifested in 2021, this is my small contribution.

vision board

Even if you can’t join this time, I will offer the workshop again online soon. For those of you who want to do this on your own, the following instructions will get you going!

STEP 1: Gather : Flip through magazines and cut images and words that “speak to you”. Collect anything that delights or calls to you and have fun with the process.

STEP 2: Sort : If you run out of magazines or feel like you have “enough” begin to sort through setting things aside into three piles:

KEEP/LOVE!-These images and words feel right, bring you joy, you feel connected and they make your “heart sing”- trust your intuition. 

MAYBE-These have an element that has attracted you but don’t quite excite you as others. 

DISCARD- on second thought, something doesn’t feel quite right about these, it’s okay to put them away for later.

STEP 3: Arrange : Group images and words together as you begin to place them on your board. As you do this, you’ll get a sense of how the board should be laid out. You can follow a more aesthetic look or go about this in a random manner, there’s no right or wrong!

STEP 4: Attach : After you’ve arranged all the items in a way that works for you, paste everything onto the board. Take your time, attach smaller pieces to larger, think in layers.

STEP 5: Display : Hang your Vision Board in a prominent place where you’ll see it regularly, like the laundry room a closet, or inside a door.

The vision board process can help us find clarity and communicate our ideas in an effortless and creative way by tapping into our intentiohns, dreams, and envisioning them. The process doesn’t have to be exact or precise to work either! We can manifest how we want to feel, where we want to live or what we want our days to include. Vision boards can work in many areas of our life. I keep a small sketchbook that I create two-page spreads based on categories I dream about such as love relationships, home, travel (on hold for now;) and more.

Please give this a try and share your results with me if you like! Email me photo’s of your vision board or share via social media with #hkpscreativevisioning

Pursuing My Life’s Work

by Filed Under: Art, Art & Design, Creative process, Inspiration & Education, Uncategorized 3 Comments

In pursuing my MA, I’ve come to understand that the work I am doing is my life’s work! It’s exciting to be in a place in time when you realize that all paths have led you to this moment, the perfect experiences and guidance that will help lead you forward to pursue your vision and dream. That is truly how I feel about this process and I want to share the blurb that was included in a recent school newsletter, highlighting myself and one of my cohorts. Since I am only 1 1/2 semesters into my masters, I don’t yet have my thesis declared but think of it like this diagram-a three-legged stool, with my research focused on each of the ‘legs’.

My research stems from observing and interacting with artists as they craft a space known as the studio. In this space, the work of making crafted objects takes place through a universal and personal creative cycle of order and chaos. History and contemporary culture have much to say about the mess and order of the creative process. Having spent nearly ten years evaluating and co-producing these spaces to identify and construct systems that support organization of material culture and productivity, my curiosity led me to interview over fifty artists about how they construct these spaces, their habitus, their process of setting up their studio and their interaction with objects and materials in their space.

I am curious to learn more about the legacy of objects and spaces left behind by artists. How can individuals and institutions support craftspeople in establishing helpful working guidelines for maintaining legacies of material knowledge and material culture? By drawing upon research in the domestic and workspace design fields, I hope to gain a better understanding of how our identities are defined by the spaces we craft, in both domestic and public artists’ studios.

Try Everything Organizing

by Filed Under: Creative process, Organize, Systems & Techniques, Tips & Resources Leave a Comment

There are a lot of people who feel like they LIVE the try everything organizing approach and there are others who feel that the latest trends or books about organizing SHOULD work for them, but they don’t. That can be extremely frustrating and lead a lot of people to think they are doing something wrong or that they just can’t get organized! That makes me so very sad!

I like to take the ‘Try Everything Organizing approach” when working with creative clients who feel overwhelmed or like organizing is impossible for them. What do I mean by this? Well, we might mix systems for example and use the Kondo technique for books and clothing but try something very different for anything that is sentimental and harder to part with. When I say I use the Try Everything Organizing approach, I literally am going back and drawing on all the systems and techniques I’ve learned from books and classes on organizing and productivity.

I believe that when we are learning something new, we need to explore different techniques, experiment and practice. A dogmatic approach might work for some disciplined personalities but it might be more frustrating than helpful for artists, collectors, free thinkers and less conventional creative individuals. I work with a lot of clients who fall into one of the above categories…not putting anyone into a box, just sharing a description of some of my favorite client! Sometimes some of these individuals are ADD/HD and are so creative in their approach to problem solving, we come up with (invent/discover) some really amazing solutions. Mistakes lead to invention! There might be obstacles along the way…

  • you might be frustrated
  • you might be overwhelmed
  • you might be-feel laziness
  • you might be un-interest or un-motivation
  • there might be other people involved
  • you might feel shame
  • you might experiment
  • you might take an unorthodox approach
  • you might fail and try again!

Give yourself some “Try Everything Organizing” prompts such as, “What would happen if”? Respond by writing about it, or acting it out. What would happen if I…

  • I got rid of clothes that don’t fit?
  • I let go of books I have read and won’t re-read?
  • I gave someone who needed __________ more than I do?
  • I got rid of the magazine articles I tore out but never reference?
  • If I tried storing __________ here instead of there?
  • I let go of a few of my less favorite items in my collection?
  • If I tried folding my ________ instead of hanging them?
  • I tried living with less ________?

Your turn…what have you tried that hasn’t worked for you? What has worked? Are you already using the Try Anything Organizing approach? If not and you want to give it a try, I’d love to hear from you, Here.

How to kill your creative darlings

by Filed Under: Art, Art & Design, Creative process, Inspiration & Education, Organize, Tips & Resources, Wellness & Mindset Leave a Comment

Let’s start by asking ourselves what are creative darlings?

Darling is synonymous for precious, adored, favorite, beloved, loved, cherished, treasured, prized, esteemed, worshipped, idolized etc. You get the picture. Sometimes people think of creative darlings as things that are too precious. We are so attached to them that we might not be objective. I like to think of them as the unnecessary “fluff” that we use to embellish and in fact those darlings can detract from the essence of what you are trying to create. The term “kill your darlings” has been attributed to a 1914 writing lecture “On Style”:

If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.

Writer Arthur Quiller-Couch

Creative darlings can be the outcome of overthinking, overworking, exertion to try to MAKE something incredible. They can also be the outcome of decision fatigue, we get tired of editing and just leave stuff where it is, we get a little lazy and attached! It’s a scary prospect to decide to “kill” something we have created (curated, collected, envisioned) but when we get overly attached, we are not seeing what’s best for the big picture. It can be liberating to trust and believe that by letting go, something better might emerge!

Don’t get so blinded by what you’ve invested (time, $, emotions) that you lose sight of the big picture. We can get so caught up in our own thoughts & ideas that we may not realize when they are failing to pay off for us. Be willing to let go of your grip, trust the creative process, know that by severely pruning out the “dead wood” we will see the most vigorous and healthy lush new growth!

creative darlings

Kill your darlings in your creative process, kill your darlings when your editing your wardrobe, kill your darlings when you are looking around your home and decluttering.

How to kill your creative darlings…

Edit what doesn’t serve a purpose & leave a more meaningful creation.

My argument for keeping stuff…

by Filed Under: Art, Art & Design, Creative process, In the Studio, Inspiration & Education, Organize, Systems & Techniques, Tips & Resources Leave a Comment

Lately I’ve been in the midst of decluttering my art studio and I’ve got a heap of stuff to get rid of! I’ve certainly waxed on and on here about letting stuff go but today I want to share my argument for keeping stuff. This argument is not necessarily one that can be applied to all categories of “stuff” in our homes or work life but it’s certainly relevant for “artists” who work a process.

argument for keeping stuff

As both an artist and an organizer, I often have partially (un) finished works in progress (WIP’s) laying around my studio. Unlike partially made food, most art projects don’t have an expiration date and reviewing older work can spark both joy and inspiration to grow and work in a new direction! Some of the artist I work with invite me to participate in the process of reviewing work they have made. Together we sort into the Keep or Toss piles just like we might do with anything else (clothes, books etc). A lot can be said for tossing some of our badly made, “UGLY” art! Seriously, sometimes I look at some things I made and it just makes me cringe. I don’t want to keep those things, in most cases, not even to re-purpose into something else or give away.

Then there’s the argument for keeping stuff that is worth exploring further. Maybe it’s a certain technique, a color combination, something striking about composition or something nostalgic that evokes a personal response. All of these are great reasons to hold onto some of our art that might not be “best work” or finished. One of the most challenging aspects of making works of any type of art is knowing when to say it’s done. If something is undercooked or we leave it on the burner too long, it’s no longer edible. Art can be like that too, if it’s under developed or overworked it might just have to go (into the trash). But we learn from our creative mistakes! Part of the process of developing our skills is to review our mistakes and our successes. Looking back at work we made that helps us to grow argues a strong case for keeping some things that might not have been finished or “successful”.

I once read an article on creative process where the artist Robbi Joy Eklow suggested a “Time Out Box” for works of this nature. We do this with kids and with kids toys, why not our art? Setting something that you are unsure of aside so that you can come back later, review it again to see if it “Sparks Joy” is a great way to learn from your creative process. I’ve gone back to sketchbooks from 20+ years ago and found ideas that I’ve revisited and been overjoyed with. I don’t think there’s any time limit on creative incubation, do you?

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