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Navigating Appraisals and Auctions

February 4, 2025 by Heather Filed Under: Appraisal, Art, Collections Leave a Comment

As a Professional Organizer and Personal Property Appraiser, I often help clients understand the best resources for valuing items in their homes.

Navigating appraisals and auctions can be intimidating and overwhelming.

Maybe you’ve inherited books, coins, or artwork you no longer want or have space to live with. I frequently work with clients who are downsizing and need to sell items. My first approach is to identify valuable items and cross-reference them with the items a client is willing to sell or give to family or friends (now or later). Sometimes, we don’t know the value of what we’re examining, so bringing in someone who knows more is an excellent idea. I’ve built relationships with local auction and estate sale companies specializing in specific item categories. I find that people often think they need an appraisal when they want to know how much something is worth. Both appraisals and auction companies can be excellent resources for this, but knowing when to appraise or when to auction can be confusing. This post will explain the process in simple terms.

💫 When you need an Appraisal

Over the past several years, I’ve had many clients who need help navigating the assessment of their collections. This is why I became a personal property appraiser. I aim to spot valuable items and alert my clients while also helping them find the best resources for selling. The first and most important thing to understand about appraisals is why you need one. There are three categories for appraisal. Each will help the appraiser determine what kind of valuation to apply to the appraised objects. The first appraisal categories is for insurance value, either before a policy is applied to or after a damage claim. The second category is donation appraisals for tax deduction and they require Fair Market Value. The IRS requires singular items over $5000 as well as collections that fall under other guidelines to be accompanied by a qualified appraisal. Finally, divorce or estate disbursement of assets often require valuations.

Each appraisal requires a specific approach to determine the value, which is accessed on different circumstances. It gets complicated! Before you ask for an appraisal, know that a qualified and accredited appraiser will first ask you why you need it. Becoming accredited is ‘governed’ by the National Appraisal Foundation, which sets the industry’s educational, ethical, and professional standards. Several appraisal trade organizations exist to implement these qualifications. I am a qualified International Society of Appraisers (ISA) member. If you find an appraiser who says they are licensed, ask questions. There is no such process of “Licensing” appraisers in the USA. Many excellent appraisers have been practicing  since before these standards were implemented in 1989, and they chose not to maintain these standards. You may not need a qualified appraiser. This is when working with an auction company might be worth considering.

💫Selling Items at Auction

Some auction companies specialize in specific items; others are generalists. Some sell antique and high-end items, others sell mid-tier ‘decorator’ items. Many auction companies and estate sales companies are happy to look at photos of items via email. They may also offer free consultation to see if you have items of interest to their clientele. Since COVID, most auctions are posted/cleared through online sites like Live Auctioneer reaching local and international clients. Ask the auction company who their clients are (local, specific types of collectors, etc). Look at their online presence with these clearing sites. You can set up a free profile before your objects go to market so that you can follow the process.

Understanding the buyer’s and seller’s premiums is essential before you agree to work with any auction company. It’s also important to understand the process of setting minimums for each object.

This way, if a specific price is not realized, the item will pass (not sell at a price lower than you desire). Not all auction companies recommend or offer this, so discussing their procedures is essential. Most auction companies do not disclose this on their website, so making some calls and emails to discuss your client’s details will be necessary. Have photos ready, look at past auctions to see what sold or didn’t, and see if items are similar to what you want to sell.Anchor💫Collectibles

Coins will always have a minimum of scrap metal value. This doesn’t mean you should sell them at a pawn shop! Books can be tricky, but if you know a few things to look for, you can narrow your selection to items likely to interest book resellers. Artwork, fine crafts, antique, vintage furniture or clothing, glassware or cut crystal, paperweights, shells, objects from global travels, and more. There are many reasons that people collect. A collection might start with an object or two; purchased, gifted, or inherited. It may start as a way to memorialize a special occasion. Many people don’t consider themselves collectors because they don’t equate monetary value with their things. There are all kinds of collectors and many reasons for collecting. Once we have identified what we love and are collecting, it’s helpful to write down why and how the collection came to be and document the history of objects (provenance matters).

Anchor💫Decorative Objects/Decorative Arts

We live with decorative objects; lamps, baskets, decorative accessories, sculptures, glassware, silver, ceramics, and more. I recently worked with an specialist to help a client with a fine southern antique silver collection. With the pieces accessed by a specialist auction company, they realized thousands more than they would have received with a smaller (generalist) company. It pays to seek experts and get second opinions. It’s also an excellent opportunity to learn from them!

Anchor💫Artwork

When looking for an auction house specializing in artworks, it is essential to find the right expertise. Those specializing in specific artists, styles, periods, regions, etc. I have worked with several auction houses in South Carolina, depending on the client’s needs and collections. I always invite the best auction company for the most prominent work in a collection to look (via emailed photos and/or in-person) and make first choices. With this “top-down” approach I learn from the prominent auction companies what work they want, then find alternate opportunities for the remaining items.  Art can be expensive to crate and ship, but that may be the best option for some artwork if it will command a much higher price. This is important to consider before agreeing to work with anyone specifically. Before signing with any auction co, it’s helpful to know if a reputable and appropriate company closer to you can represent your assets and reach the market needed to sell goods at top prices.

I hope this short post is helpful and provides more information about what, why, and when to seek out an Appraisal or Auction Company. Please leave a comment below if I can answer any more specific questions.

Pursuing My Life’s Work

March 16, 2020 by Heather Filed Under: Art, Art & Design, Creative process, Inspiration & Education, Uncategorized 3 Comments

In pursuing my MA, I’ve come to understand that the work I am doing is my life’s work! It’s exciting to be in a place in time when you realize that all paths have led you to this moment, the perfect experiences and guidance that will help lead you forward to pursue your vision and dream. That is truly how I feel about this process and I want to share the blurb that was included in a recent school newsletter, highlighting myself and one of my cohorts. Since I am only 1 1/2 semesters into my masters, I don’t yet have my thesis declared but think of it like this diagram-a three-legged stool, with my research focused on each of the ‘legs’.

My research stems from observing and interacting with artists as they craft a space known as the studio. In this space, the work of making crafted objects takes place through a universal and personal creative cycle of order and chaos. History and contemporary culture have much to say about the mess and order of the creative process. Having spent nearly ten years evaluating and co-producing these spaces to identify and construct systems that support organization of material culture and productivity, my curiosity led me to interview over fifty artists about how they construct these spaces, their habitus, their process of setting up their studio and their interaction with objects and materials in their space.

I am curious to learn more about the legacy of objects and spaces left behind by artists. How can individuals and institutions support craftspeople in establishing helpful working guidelines for maintaining legacies of material knowledge and material culture? By drawing upon research in the domestic and workspace design fields, I hope to gain a better understanding of how our identities are defined by the spaces we craft, in both domestic and public artists’ studios.

Homing

February 15, 2020 by Heather Filed Under: Art, Handmade, Home, Inspiration & Education, Uncategorized Leave a Comment

Homing-an act of resistance in a fast-paced world.

What is home?

It a place where we can set our own pace.

What is home?

Homebodies make time and space to create a home through their senses.

What is home?

Home is the objects we carry with us.

What is home?

Ritual creates home-home is a relationship between bodies, spaces, and objects.

A collaborative video project between Heather K Powers & Sarah Kelly, created January 2020, Asheville NC during the MA Critical Craft Residency.

How to kill your creative darlings

May 29, 2019 by Heather Filed Under: Art, Art & Design, Creative process, Inspiration & Education, Organize, Tips & Resources, Wellness & Mindset Leave a Comment

Let’s start by asking ourselves what are creative darlings?

Darling is synonymous for precious, adored, favorite, beloved, loved, cherished, treasured, prized, esteemed, worshipped, idolized etc. You get the picture. Sometimes people think of creative darlings as things that are too precious. We are so attached to them that we might not be objective. I like to think of them as the unnecessary “fluff” that we use to embellish and in fact those darlings can detract from the essence of what you are trying to create. The term “kill your darlings” has been attributed to a 1914 writing lecture “On Style”:

If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.

Writer Arthur Quiller-Couch

Creative darlings can be the outcome of overthinking, overworking, exertion to try to MAKE something incredible. They can also be the outcome of decision fatigue, we get tired of editing and just leave stuff where it is, we get a little lazy and attached! It’s a scary prospect to decide to “kill” something we have created (curated, collected, envisioned) but when we get overly attached, we are not seeing what’s best for the big picture. It can be liberating to trust and believe that by letting go, something better might emerge!

Don’t get so blinded by what you’ve invested (time, $, emotions) that you lose sight of the big picture. We can get so caught up in our own thoughts & ideas that we may not realize when they are failing to pay off for us. Be willing to let go of your grip, trust the creative process, know that by severely pruning out the “dead wood” we will see the most vigorous and healthy lush new growth!

creative darlings

Kill your darlings in your creative process, kill your darlings when your editing your wardrobe, kill your darlings when you are looking around your home and decluttering.

How to kill your creative darlings…

Edit what doesn’t serve a purpose & leave a more meaningful creation.

My argument for keeping stuff…

May 22, 2019 by Heather Filed Under: Art, Art & Design, Creative process, In the Studio, Inspiration & Education, Organize, Systems & Techniques, Tips & Resources Leave a Comment

Lately I’ve been in the midst of decluttering my art studio and I’ve got a heap of stuff to get rid of! I’ve certainly waxed on and on here about letting stuff go but today I want to share my argument for keeping stuff. This argument is not necessarily one that can be applied to all categories of “stuff” in our homes or work life but it’s certainly relevant for “artists” who work a process.

argument for keeping stuff

As both an artist and an organizer, I often have partially (un) finished works in progress (WIP’s) laying around my studio. Unlike partially made food, most art projects don’t have an expiration date and reviewing older work can spark both joy and inspiration to grow and work in a new direction! Some of the artist I work with invite me to participate in the process of reviewing work they have made. Together we sort into the Keep or Toss piles just like we might do with anything else (clothes, books etc). A lot can be said for tossing some of our badly made, “UGLY” art! Seriously, sometimes I look at some things I made and it just makes me cringe. I don’t want to keep those things, in most cases, not even to re-purpose into something else or give away.

Then there’s the argument for keeping stuff that is worth exploring further. Maybe it’s a certain technique, a color combination, something striking about composition or something nostalgic that evokes a personal response. All of these are great reasons to hold onto some of our art that might not be “best work” or finished. One of the most challenging aspects of making works of any type of art is knowing when to say it’s done. If something is undercooked or we leave it on the burner too long, it’s no longer edible. Art can be like that too, if it’s under developed or overworked it might just have to go (into the trash). But we learn from our creative mistakes! Part of the process of developing our skills is to review our mistakes and our successes. Looking back at work we made that helps us to grow argues a strong case for keeping some things that might not have been finished or “successful”.

I once read an article on creative process where the artist Robbi Joy Eklow suggested a “Time Out Box” for works of this nature. We do this with kids and with kids toys, why not our art? Setting something that you are unsure of aside so that you can come back later, review it again to see if it “Sparks Joy” is a great way to learn from your creative process. I’ve gone back to sketchbooks from 20+ years ago and found ideas that I’ve revisited and been overjoyed with. I don’t think there’s any time limit on creative incubation, do you?

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