Creatively Organized Spaces
What can we learn from simply observing how artist organize their space in a co-working environment? Lots I think!
While I was at Arrowmont I took the opportunity to walk around and look at other artists work but I also was observing their creative spaces.
I’ll be spending a lot of my Saturday’s this summer in my new shared temporary studio, The Vat Shack. This project brings together 6 Indigo & textile artists for a summer of all things blue!
This project has been made possible by Charleston non profit, Enough Pie in partnership with Clemson’s architecture students (and others) who built this amazing temporary traveling “studio” for this specific purpose. The Den Mama’s and Enough Pie had regular meetings with the students and professors to share in the process of designing this space specifically for our needs. It was so fun to see it go from concept to reality, they did an amazing job and gave us just about everything on our “wish list”!
The Vat Shack set up
The Vat Shack storage
After the “shack” was delivered we came together to set up 3 types of Natural indigo vats, a Ferrous (Iron) vat, Fermentation vat and Hydrosulphate Vat. These three types of vats were selected to illustrate the evolution of this artform and craft throughout history (fermentation being the oldest type, Hydros the most “modern”). I was really in my element getting to set up the supplies and organize all the tools, shelving, space layout etc.
Den Mama’s setting up Indigo vats
Last Saturday this project was launched into the community with a public event Awakening:Indigo IV. All the Den Mama’s were there to share Indigo dyeing with the community. All afternoon we gave demonstrations of dyeing with indigo, shibori techniques and people added to the Community Rag Quilt (a Gullah Tradition being revived by the Gullah Lady).
Heather K Powers with Wire Hanger Mandala
Art installations (I created another one of my wire hanger mandala’s above) were onsite along with performances by story tellers (like my friend Sharon Cooper Murray-below) and a screening of the indigo documentary Blue Alchemy by Mary Lance who was in attendance and helped to create a lasting blue memories in Charleston!
Charleston community tries their had at Shibori
Mary Lance creates something blue to remember Charleston
Den mama’s will be spending time in the shack teaching workshops, camps and leading community dye days (first and third Saturday’s each month into October). This project is such an exciting way to bring together all different kinds of people in the Charleston community to learn about the art, craft, science and history of Indigo in the Lowcountry and around the world. I’m very proud to be a part of this and I hope to see you out there this summer!
All together in Blue! (L—>R Rachel Parris, Cathryn Zommer, Mary Lance, Arianne King Comer, Heather K Powers, Leigh Magar, Cara Earnst, Sharon Cooper Murrah and Kristy Bishop)
In today’s interview we will take another peek at In the studio with Tim Hussey. Last week we talked about his background, his new studio space and his creative legacy. This week we dive into organizing specifics and he shares some tips he’s learned through his years as an artist in various capacities. His new space is open to the public, and his latest show Listing, is his first in this new Studio. I dropped by while the show was hanging but he’s also shared a few shots of how he works in his space. These photos are not styled and are typical of what his working studio looks like on an average day. All the photo’s in this post were supplied by Tim too!
What do textiles have to do with Organizing? Well nothing really on the surface but textiles are a part of the tapestry of who I am both creatively and professionally. I’m also fascinated by how many recycled textiles, other “found objects” and collections of “stuff” are making their way into the fine art world. I’m not sure if this is merely a trend or a theme that is communicating something about our relationship with “our stuff” as a culture. On my recent trip to NYC I found a tremendous amount of inspiration and specifically sought out exhibits that included textiles in one way or another.
My first stop was at Museum of Art and Design aka MAD where in the main stairwell a site specific installation of woven fabric had been threaded through the architectural elements of the building. It kind of reminded me of yarn bombing but on a more sophisticated interior scale…like huge dramatic drapes.
In addition to Museum, MAD is an educational resource for children and adults. They have an artist residency program including open studio times for artists and workshops all overlooking their location on Columbus Circle. Boy would I love to sit at that loom and weave while overlooking the hustle and bustle of the city!
Closing this Saturday is the exhibit Ebony G. Patterson: Dead Treez which was rich in layers of textures, found objects, recycled textiles and meaning. I’m a little obsessed with how textiles and recycled materials are making their way into fine art these days and this is one of the reason’s I really wanted to see this exhibit.
My next stop was the National Academy Museum, nestled between the Guggenheim and Cooper Hewitt. This was my first visit to this museum and school. I found myself drawn to exhibits at locations that favored the promotion of art through education, a coincidence perhaps but my mind is nothing if not curious to continue learning! I sought out this specific exhibit of Miriam Shapiro after her recent passing last year. She’s an epic, visionary artist who happened to work with textiles-once thread of her multi faceted life’s work. Below is one of my favorite pieces in the show, one of her “femmage” works that includes scraps of fabric.
And finally, the exhibit Beauty-Cooper Hewitt Triennial. I almost skipped this museum (although it’s one of my favorites) because I didn’t think I would have time. I’m so glad I didn’t since they recently re-opened after a major remodel. This expansive exhibit explores various themes of Beauty in multi- disciplinary works of art and design. One of my favorite aspects of the renovation is their use of technology. Along with each ticket sold, visitors are given a large stylist pen to “collect” images and text from throughout the exhibit. When they return home they can log into their specific user account (save your ticket!) and learn more about each piece of interest. I love that you feel like you are bringing home a little piece of the exhibit and there’s less pressure try to read all the exhibit info while visiting. 
Over the weekend I hung out in Brooklyn and took a trip to see the Textile Arts Center. I’ve been wanting to visit this “maker-space” for several years now and am envious of such a wonderful resource for learning about all things textiles! This is the place to go if you live in NY and want to learn about textiles in your spare time…a great way to find out if you really like something before investing too fully into a lot of expensive equipment (space is a premium and having a floor loom in NY would be a luxury for some!). 
Today’s feature interview is the first half of Art Studio Organizing with Joanne Davis-Woods who I met through mutual artist friends in Asheville. I visited her studio (which she recently moved into in the midst of a metal fabrication studio) and interviewed her while in Asheville last month. I’m thrilled to share this sneak peek into Joanne’s studio and her process and creative space in this interview. These photo’s are not styled in any way, in fact she was not totally settled into her new studio so this is typical of what her working studio looks like on an average day.
HKPS::When did you suspect or know you were an artist?
JWD:: I realized in my early 30’s that I had been one my whole life.
HKPS:: What materials do you work with? Do you find it challenging to locate certain things when you’re ready use them and do you store things frequently used in highly visible locations?
JWD::Mainly I work with silver, copper, in both wire and sheet, and semi-precious stones–since my work space is contained within a larger business space; materials need to be locked up at end of day. For the last several years my challenge was the need to store in 2 different location–I never had all that I needed in one place! Now, in this new spot I have higher hopes for efficiency. While I like the materials I use to be handy, they do not need to be visible. What I do want to see conveniently arrayed are my tools.
HKPS:: Where do you make your art, how big is your studio and how long have you been in this space?
JWD::I have recently moved into a new space within a fabrication business. They have all the permits needed for using fuels. I have about 300 sq ft on a platform above the main floor—rather quirky but it works.
Looking into the foundry from Joanne’s studio platform
Joanne’s Studio ‘platform’
HKPS::How many projects are you usually working on at once? Is this due to space constraints, creative process, organizing systems or other influences?
Projects in process and stones
JWD:: 2-3 at a time…I read more than one book at a time also! If I am worked on a new prototype I find more satisfactory results if I give myself time to ponder between steps. So I like to punctuate with another project. Also there is cooling and other procedures which go on without my active participation.
It can be a dance.
Joanne in her Studio
HKPS::Is making art your primary “job” or source of income? How much time do you spend in your studio weekly/daily?
JWD::I would be in studio most days if I could…since I still have a part time job; I am limited to 2 – 3 days per week. Fortunately my day job lets me work with metal.
HKPS::When you began working in this space did you plan any systems for the overall set up or did you let things evolve organically? How did past studio spaces or systems influence this space?
JWD::I had an opportunity to buy equipment and work benches from the previous communal space where I rented. The choice of those pieces dictate the style of working here. The previous space was set up by others and provided for separate stations for separate processes. While I know that some like everything at arms’ reach-i prefer to move around more. It keeps me more organized also—metal smiths use an awful lot of tools!
Watchmakers Bench
Thank you Joanne for for sharing how you use your studio space and store your materials! In Part II you’ll find more from her about creative process and any tips and advice she has to share. In the meantime if you want to see more of Joanne’s work go see her Facebook Page.
*The idea for the Inside the Artist Studio series began while attending an art retreat where I curiously observed the differences in the creative cycle of order and chaos and what that looks like for different individuals. I’m very interested in sharing how organizing affects the artist’s creative process. Some systems and order are vital to our creative PLAY and learning to find a balance that works to enhance your creativity is what I hope to share with you through these interviews.
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Is there a particular artist whose ‘Tool kit’ you would like to see featured? Leave a comment below and let me know!
