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Spotlight::Our American Textile Heritage~Churchill Weavers

December 21, 2010 by Heather Filed Under: Art & Design, Handmade, Inspiration & Education, Textiles & Pattern 1 Comment

Today I’d like to spotlight a part of Our American Textile heritage that I was lucky to be a part of in my early career. Sadly, Churchill Weavers is no longer in business but what I share here illustrates an overview of their generous contribution to the historic roots of textiles and manufacturing in America.

Advertisement showing the front exterior of the Churchill Weavers loomhouse.

Our American Textile heritage Before weaving begins, a warp or vertical the threads of the loom must be made. Weft threads are woven through the warp threads using the loom and shuttle. ca. 1928

Churchill Weaver’s stereocard advertisement, style 15319R.

I’ve had the fortunate opportunity to work for some US textile manufacturing facilities my career, some of which are no longer in existence and some that no longer manufacture in the US.  Starting right out of college I landed a job at one of the oldest and finest Hand weaving mills in the US.  I’m speaking of the late Churchill Weavers of Berea, KY.  Once so valued for their products that the US military spared wool rations so they could weave woolen undergarments for our military men.  It greatly depresses me to see their beautifully woven products now being sold as “rare” on Ebay!  There were a number of factors that went into the final outcome of Churchill’s doors being closed forever but they didn’t go down without a long battle.  Historical textiles from their archives were salvaged and donated to the Kentucky Historical Society.  They have compiled quite an amazing online Archive, accessible to anyone!

Churchill Weaver’s stereocard advertisement, style 15451.

Woven Panel made by Churchill Weavers and Designed by Gerhardt Knodel ca. 1978

One of the valuable lessons I learned working at Churchill is that there is no substitution for learning about business and technical data at a facility that manufactures rather than being miles and oceans away from the products you design.  If you’d like more information on the fascinating history of Churchill, please check out this blog.  A limited selection of baby blankets with original Churchill designs are available here.  I’m proud to share below a few of the items I had a part in designing!

                           Cotton Blanket with Chenille ribbing

Cotton “Basketweave” baby blanket with satin ribbon trim.

Luxurious Golden Wheat Chenille thick and thin throw blanket

I knew when I graduated from college in 1998 with a degree in Fibers (textile design) that it would not be an easy career choice.  I headed ambitiously into the profession knowing that the beginning of the end (as I had come to understand it) was already in sight.  Shortly after graduating I started seeing the full effects of the “global” market’s influence (and NAFTA) on the textile industry.  First, the mills began to run shorter shifts, sell off machinery and start to outsource manufacturing to foreign mills.  Within the first 5 years of my career, I had gone from designing for high-end luxury goods manufactured in the USA to designing mass produced goods being imported.  I had a hard time with the ethics of this but I needed to stay employed and by then I was beginning to see my friends design jobs being eliminated as their companies not only shut down manufacturing facilities but started to hire

First, the mills began to run shorter shifts, sell off machinery and start to outsource manufacturing to foreign mills.  Within the first 5 years of my career, I had gone from designing for high-end luxury goods manufactured in the USA to designing mass produced goods being imported.  I had a hard time with the ethics of this but I needed to stay employed and by then I was beginning to see my friends design jobs being eliminated as their companies not only shut down manufacturing facilities but started to hire off-site designers and design studios in other countries. I started to see another trend that was quite maddening.  Before I say more this observation is not singularly in regards to the textile industry.

I started to see another trend that was quite maddening.  Before I say more, this observation is not singularly in regards to the textile industry.  It is the misinformed “American way” to throw something way when it’s broken (or just worn out)! So often we don’t bother trying to fix it because it seems far easier and cheaper to just start all over.  This is maddening!  Can’t we honor those who have invested so much time and energy to make something beautiful and special?

I  am speaking directly about both historic companies and industries disappearing as well as individual makers. We often loose the wisdom of the old ways completely and then find a renewed interest once the individuals who carry this wisdom are all but gone. I will say that the first part of my career in textiles was dedicated to spending as much time around manufacturing and these “wisdom keepers” as possible. I also agree that sometimes new life needs to be blown in but there is often so much we can learn from these establishments.

It was about this time (early 21st cent-Y2K-current) I really became aware of the “Indy craft”-now also called the Makers movement.  I started seeing all sorts of crafters, makers and designers pop up on the www.  In response to this, I also saw a few new kinds of manufacturing facilities in the US who were responding to the needs of these independent makers.  I’m speaking of textile print on demand (such as Spoonflower and others) and weaving mills in particular but I’m sure there are lots of other examples by now.  This is encouraging to me on the one hand but also frustrating because we have already lost many older manufacturers.  I often think that if the generation gap had found a way to communicate with one another some very unique solutions could have come about and kept some companies afloat. 

There are some companies in the industry who did respond in this manner and I see them now as established and valued but also aware of new and upcoming trends.  My request to you is this; if you are a maker, manufacturer, lover of all things handmade and you are working in the US please consider the source of your purchase and support our US heritage of manufacturing. We can’t bring back these historic and iconic facilities but we can learn so much from them by informing ourselves and making the most of our purchases now and in the future.

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Release old Dreams~and Make way for new Dreams

December 16, 2010 by Heather Filed Under: Inspiration & Education, Photography, Productivity, Wellness & Mindset 3 Comments

While having a conversation with a friend about my goals for my new business, I had one of those moments of clarity and knew I had a choice to Release old dreams (to make way for new ones)!  I thought about what my dreams for my business had always been (since graduating from SCAD) but I realized that my old dream didn’t exactly align with what it is that I am doing and want to be doing now.

In this moment I was able to see that it’s okay to release old dreams and expectations. In fact, we have to do this in order to make room for new dreams.

I’m all for de-cluttering and getting rid of things in my life that don’t serve me anymore but thoughts, expectations, and dreams need to be treated in the same manner as actual, physical things!

It can be kind of sad to release your old dreams but please realize that those dreams have served you well.  They have motivated you, given you something to strive towards and they have helped shape the direction of your new dreams.
So today I invite you to release those old dreams that no longer serve you.  Go ahead, write them down, seal them in an envelope and send them off!

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Field Trip Friday! National Museum of the American Indian

December 3, 2010 by Heather Filed Under: Art & Design, Inspiration & Education 2 Comments

From time to time I love to include a “Field trip Friday” because we all need a little inspiration and I especially love to share inspiration!  There are so many wonderful cultural and creative opportunities at the museums, galleries, and gardens in the DC metro area.

Today I’m sharing some of my favorite pieces from the permanent exhibit at the National Museum of the American Indian.  This museum has gorgeous, organic architecture and the landscaping uses Native American plants that in most cases are not only beautiful but are functional, either as food, medicine or some other purpose (for example corn husks or other plant fibers).

The museums permanent exhibits are broken down into “Our Universe”, “Our People” and “Our Lives”.  These three spaces explore many aspects of American Indian heritage, culture, philosophy and past and current lifestyle.  This is the sort of museum that has a wide range of information and can be quite overwhelming (in my opinion) to explore and I find it easiest to take it in bits or go to explore something specific on exhibit.

National Museum of the American IndianAbove are examples of some of the incredible bead work both traditional and contemporary and below are arrowheads and the back side of the “gold” exhibit (I love the patterns created by these groupings).


Below are some amazing examples of feathered head-dresses and Day of the Dead skulls as well as the quirky contemporary mask made of utensils and of course I had to include an Ikat weaving.

On several occasions I’ve gone and spent time wandering through each exhibit and each time I drift over to whatever draws my attention to learn a bit more. I like this spontaneous approach to exploring museums, rather than trying to see everything. For example, did you know that some of the Caribbean islands have American Indian heritage?  Did you know that Mohawk Indians were the main steel workers that built the World Trade Center and are rebuilding the new ones?  This museum explores American Indians from all the “America’s” and the definition is broad and fascinating!  I hope you get a chance to go in person but until then maybe this virtual field trip will serve to give you a little more insight as to what this “New” Smithsonian museum has to offer.  The museum website has extensive information available such as the Online Exhibits as well as PDF catalogs you can download of the temporary exhibits, check it out.


There is also a great temporary exhibit on display through next August called “Vantage Point” which is a collection of contemporary art by Native American Indians; even more beautiful work there!  One last note, this museum has an extensive gift shop and the museum “cafeteria” has had rave reviews so I hope to have a bite to eat there on my next visit.

Related Articles

  • ‘Vantage Point: The Contemporary Native Art Collection’ Opens Sept. 25 at the Smithsonian’s National Museum of the American Indian in Washington, DC (prnewswire.com)
  • Art Review: In American Indian Museum, Beauty and Culture Now Entwine (nytimes.com)

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Textile “Out-takes”

November 30, 2010 by Heather Filed Under: Art & Design, Handmade 3 Comments

Today I’m sharing a Textile “Out-takes”  for an art piece I have been commissioned to make. This client really loves my weaving’s but since I don’t currently have a loom set up I had to come up with an alternate idea.  Below I’ve used a neutral cotton thread and threaded it through a reed to space it evenly the full width of my finished piece.

Next, I’ve painted the “warp” with dyes to match the decor and colors that my clients have requested.  This process is similar to warp painted ikat which is usually done after a warp has been threaded onto a loom but before it’s been woven.  In this case, I wasn’t working with a loom so I threaded the reed and secured it to a surface and painted the threads without tension.  This allowed for a painterly effect but wouldn’t be ideal for very precise image/color placement.

These “fringe” will become one layer in the finished piece.

Below are layers of block printed and metallic silk organza and hand painted cotton toile fabric (back layer) that will go behind the fringe. The finished piece will have 4-5 “layers” of textiles.

I haven’t decided if I will be using the blue layer and I have a couple other tricks up my sleeve but in all, I’m pleased with my progress and soon, it will be finished and ready to present to my client!

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Are you an Idea or Process person?

September 28, 2010 by Heather Filed Under: Art & Design, Inspiration & Education, Wellness & Mindset Leave a Comment

For some people, creativity is fueled by ideas and for others, it’s all about the process.

Idea or ProcessI definitely fall into the later category of creative.

When I get stuck and I have a vague idea of something all I really have to do to get ideas back in the flow is pick up the materials. By engaging int the process of research, experiment, play and writing or sketching out my ideas, they become more concrete and really take form.

When I am creating something, whether it is a garden design, a photograph, a textile design or a craft it really comes down to process. Take the photo above, I remember assembling all the flowers, all the teal vases, arranging them in just the way I wanted them to be, down to the fallen petals. It might not be a perfect technical or composition, but it speaks to me and may inspire something more later.

It is the process that I enjoy, it’s the process that keeps me making. It’s the process that keeps me interested and marks the time I have spent in a way that feels satisfying to me.

I often begin a project, not sure where I am headed but I don’t have to visualize the end piece to begin working. This in itself can be scary for me and I’ve often been stuck for fear that I would never be able to finish something when I don’t know what “it” will end up being.  This is when I need to remember that I am a process person, not necessarily an idea person (or I should say that my ideas aren’t always as strong as my process).

When I graduated from college I had to put together a portfolio of work but before the portfolio could be assembled I had to decide what my portfolio was going to represent. I choose to skirt the edge of two types of portfolio’s with part being geared towards “industry” and pattern/woven design and the other part was geared towards studio design which encompasses creating the design AND the product. What I really wanted to do was to focus on the Studio portfolio but what I ended up doing was creating a portfolio that would get me a job in the real world. In doing this, I had to sacrifice part of the process stage of creation.

Now, I have a bit more luxury to enjoy the process and not worry about the outcome. I don’t have the pressure of school or clients when I’m creating my art. What this means is that I can have great ideas or so-so ideas but it’s my follow through that will bring these ideas into reality.

When I’m working on an organizing project I am directly involved in the process of creating systems and I usually get to witness their outcome. This was missing for me for many years in my creative career and it’s part of what I love most about organizing projects. 

I was separate from the outcome of the product I designed for almost 10 years. As a CAD textile designer I rarely got to see my designs implemented. Seeing the outcome is a huge part of the process for me. Being so involved in the process of organizing, being hands on and seeing the direct results is a bit part of what I love. I am there to witness the outcome, success or failure (or somewhere in between).

As a textile designer I loved collaborating in the idea stage with the designers (and I think many of them are idea people) and I took ideas and made them work in real life spaces with size and technical limitations.  These limitations were a part of the process that in the end was quite satisfying. I’m grateful that I still have the opportunity to collaborate with every client I work with. Whether my clients can visualize the ideal outcome or not, I’m there to make sure the process works and I try to make it fun along the way!

Are you an Idea or Process person?

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